Valentino Garavani, the “last emperor of fashion,” died at his home in Rome at age 93, surrounded by family and friends, closing a chapter on one of couture’s most influential and romantic careers. For fashion, red carpets and luxury houses worldwide, his passing marks the loss of a designer who turned a single shade of red and a precise, theatrical silhouette into a global visual language.
A Life in Italian Couture
Valentino Garavani died on January 19, 2026, at his residence in Rome, with his foundation confirming the news and describing how he passed peacefully, surrounded by loved ones. Tributes across Italy and beyond have described him as a maestro of elegance and one of the great architects of postwar Italian luxury.
He founded his house in Rome in 1959 and presented his first major collections in the early 1960s, quickly becoming part of the same generation that defined modern European fashion alongside names like Giorgio Armani and Karl Lagerfeld. Across decades, his atelier became a fixture for state occasions, red carpet moments, and society weddings.
Valentino Red and Pure Aesthetics
Valentino’s name became inseparable from Valentino red, a custom mix of carmine, scarlet, and a touch of orange that he introduced in the late 1950s and then repeated across gowns that read instantly on stage and screen. The brand’s own tribute describes him as the definition of fashion, luxury, and pure aesthetics, pointing to collections where simplicity is disrupted by one theatrical detail: a bow, a puff, a daring neckline, or a plunge that frames the heart.
His work balanced restraint and drama, often through clean silhouettes altered by a single, memorable gesture rather than heavy ornament. That approach helped his dresses feel timeless enough to be re worn and revisited across generations, well beyond their original season.
Dressing First Ladies and Hollywood
From the 1960s onward, Valentino became a constant presence in the wardrobes of first ladies, princesses, and high profile entertainers, evolving from couturier to global reference point for occasion dressing. His client list has included Jackie Kennedy Onassis, Audrey Hepburn, Elizabeth Taylor, Nancy Reagan, and a long line of modern actors and editors who turned to him for weddings, premieres, and awards shows.
Even after his retirement in 2008, archival Valentino gowns continued to appear on major carpets, reinforcing how his approach to cut, colour, and drama still feels relevant in a social media era. Younger stars, from Anne Hathaway to Kaia Gerber, have worn both new and archival Valentino creations, extending his influence well beyond his active years at the house.
Legacy Beyond the Runway
His foundation’s statement and global tributes point to a legacy that runs through couture, celebrity culture, and the broader idea of what luxury can look like at its most romantic. For designers, stylists, and fans of fashion history, Valentino’s passing is not just the loss of an individual, but the closing of a golden-age chapter where couture and spectacle walked in step.
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